The Great Gatsby

When I was younger I never read any of F. Scott Fitzgerald's works .  Occasionally I'd come across references to his works and not think much of it.  Like most non-liberal arts students, I've yet to read most of the great classics and haven't motivated myself  or found the time to engage in understanding them.  I remember an episode, that is probably all too familiar, in the CBS comedy King of Queens, where Carrie takes time off to "find herself" and stakes out reading The Great Gatsby.  The episode ends with her never reading the book and her husband Doug, the clownish and portly parcel deliveryman, musing to Carrie, "don't you think the Great Gatsby was lost before he came a magician!"

The irony isn't in whether Gatsby was once lost or a magician, because on some abstract level both are true.  Instead, the irony resides in Gatsby's own devotion to a single cause and his need to re-create himself from a simpler and less glamorous past.  When prodded in the novel about being unable to "repeat the past", Gatsby retorts incredulously, “Why of course you can!”

Most people live their lives blinded to the opportunities and realities around them.  While they know there is an entire world of possibilities, they also know that pursuing those dreams is difficult and in the end, there is no more guarantee that pursuing those objectives will make them any more happy or successful.  So they compromise and accept certain realities and condemn themselves to much smaller lives; just like Carrie in the above example.  Gatsby on the other hand, has been on the other side of paradise, where the grass isn't greener, where the lights are dimmer, and hopes go unfulfilled.

With the upcoming release in December 2012 of Baz Lurhmann's film adaptation, there has been some discussion of this seminal work.  The Great Gatsby has been described as a story of "lasting power and beauty" that is rooted in "illusions and self-delusion."  Like America in both the roaring twenties -in which the story is set- and its current situation, the book is filled with the surfeit of wealth, tumultuous descents, and everyday violence.

America is now full of millions of bankrupt Gatsbys who bought their dream homes with no money down. Meanwhile, the derivatives market was the very embodiment of American fantasy and self-deception, built on as flimsy a foundation as Gatsby’s wealth. The promised gold of the Reagan years, burnished to a shine in the new millennium, has turned a grimy yellow.

It is precisely these attributes that made the story then and now so engaging.  The rise and fall of ambitious men who have seduced an even less sophisticated public on their perceived virtues.  An opportunistic elite too absorbed in extracting from society marginal gains, to understand the larger problems unfolding around them.  And, of course, a public incapable of fully engaging the world around them, but all too willing to blame others for any sleight that has befallen them. In each of the classes of people a central conceit is revealed: the moment an individual thinks that they are firmly ahead, they also become cognizant, for however a brief a moment, that the game has been rigged and that they've always been determined to be the loser. It may not be fair; it is not even remotely intelligent, but that is how the game of life is played.

Others have questioned whether Fitzgerald's story could ever be adequately brought to film.  Ta-Nehisi Coates of The Atlantic magazine discusses his thoughts on this issue:

As in so many of the books I love, I found the plot in Gatsby to almost be beside the point. Whenever I see it translated to cinema, the film-maker inevitably crafts a story of doomed romance between Daisy and Gatsby. It's obviously true that Gatsby holds some sort of flame for Daisy, but what makes the book run (for me) is the ambiguity of that flame. Does he really love her? Or is she just another possession signaling the climb up? I always felt that last point—the climb up—was much more important than the romance. 

As in all things, where the truth begins and the illusion of reality ends is not always a clear line.  Gatsby's successes and failures are driven by both factors.  What is certain, is that the recurrent theme that is portrayed in Gatsby remains a great lesson to us all in our own sometimes feeble attempts of improving ourselves.

Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that’s no matter — tomorrow we will run faster, stretch out our arms farther.... And one fine morning —
So we beat on, boats against the current, borne back ceaselessly into the past.

----
The first trailer from Warner Bros. Pictures.

What she just said...

Occupy Wall Street protestor using something other than a manila colored pizza box to denounce the corrupt state of affairs that is now America's corporate plutocracy.

***

The topics inveighed by the left are vast and given the MSM's collusion in disseminating propaganda and controlling the public narrative on subjects of interest to the corporate state, usually very little coherent messaging makes it into the public consciousness.  However, people across the world, not just in authoritarian countries, are protesting en mass to the reckless and destructive practices of our authoritarian and/or corporate overlords.  Unlike the bullshit machine during the Iraq invasion where the venal and pliant press stenographed the Bush imperium's falsehoods on Iraqi mushroom clouds and fantastical weapons of mass destruction, the fruits of our economic discord are apparent for all to see.  The nations of the world are sliding into a new period of stagnation and decline.  Unemployment, social mobility, declining wages, and reduced prosperity are evident for all to see.  While society crumbles, multinational corporations are sitting on trillions of dollars of liquid capital, financial houses are given nearly unlimited protection by the state for their incompetence, and the wealthiest beneficiaries of the past 30-years of deregulation and financialization of western economies bemoan any increase in their tax rates.

The elite are firmly aware that for them to stay in power demands that the masses are fully unaware of how dire a situation they are in.  Institutional propagandists denounce the protestors as "dangerous" and predicated on mob rule.  Many are asking what the objectives of the movement are about (psst... its about greedy stupid bankers and their congressional whores, motherfucker!).  Daniel Indiviglio at The Atlantic is already calling the protests a waste of time, given that they are unfocused, the financial industry owns congress, and of course the big lie, that America really, really needs behemoth "to big to fail" monstrosities like Bank of America, Citibank, or Goldman Sachs, because as he states, the rest of the economy is just useless unproductive crap. To enforce the objectives of the corporate state, NY city police department was more than happy in assaulting, brutalizing, and arresting innocent civilians who exercised their first amendment rights.  This is nothing new for the NYPD, which has a long record (i.e. the 2004 Republican presidential election convention) of crushing pubic dissidence and violating the civil rights of protestors.

Many people realize the system is fundamentally rigged against them and the composition of the protestors and their supporters reflects this fact:

The crowd—while represented widely in the media as white, liberal college kids—is surprisingly diverse, including raging grannies, street kids, union workers, professors, ex-bankers, longtime activists, human rights lawyers, Native American band members and ex-military. Political views span the spectrum, from anarchist to right-wing libertarian—complicating efforts toward any kind of unifying objective or mantra.

Chris Hedges, Pulitzer prize winning journalist and author, had this to say about the occupation:

The real people who are scared are the power elite. Of course, they’re trying to make you scared and us scared. But I can tell you, having been a reporter for the New York Times, that on the inside they’re very, very frightened. They do not want movements like this to grow, and they understand on some level — whether it’s subconscious or, in other cases, even overt — that the criminal class in this country has seized power.

I am not optimistic that any particular resistance to the corporate state can succeed in changing the current trends.   If history is a guide, it is more likely that the people will turn on those protesting and disclosing the rampant corruption, rather than on their own imbecile leaders.  As long as people remain confused, uneducated, and ignorant to the current situation, the crypto-fascists, corporate fraud-mongers, and militarists driving policy will remain in the driver's seat.

The other Sarah Palin movie

Sarah Palin (aka Caribou Barbie) and her entourage of semi-literate Alaskan troglodytes are now the subject of another movie. Unlike the celebrated bizzaro-land movie called "The Undefeated" (apparently no one has told her that she lost 2008 election), there is a documentary at this year's Toronto International Film Festival (TIFF) documenting the actions of everyone's favorite candidate/beauty contestant.  The documentary is called "You Betcha!" which sounds just about right.

It doesn't surprise me that the dismally educated people in middle-America still gravitate to her beauty pageant veneer and fixate on her "us against them" nostrums.  After all, these populist shibboleths have existed since popular uprising have existed (yes... what the Romans have done for us lately!) and have a constant fan base regardless of who is in office. The problem with this half-wit, is that she actually thought being a politician was just a little more than being a B-rated celebrity and all those fans of hers, weren't just buying a ticket to indulge in the latest Republican merry-go-round ride.  She has zero policy credentials on any subject of relevance, whether that be foreign policy, America's global hegemony, the financial industry, or cost structure and delivery of social services like Medicare.

As a candidate Palin was so dismally incompetent on a national level that within a few weeks of the public becoming aware of this hockey-mom with lipstick, the McCain-Palin ticket started to tank with independent voters, women, and moderate Republicans.

While she was a positive force leading up to the 2010 mid-term elections for the Tea Party crowd, the problem that arose was that Palin wasn't always willing to follow the Republican script and would too often improvise. An example of her idiocy was her over-the-top media retort that erupted subsequent to Congresswoman's Giffords' attempted murder earlier this year. Since that incident Palin's numbers have been in decline. 

My take on the great American grifter is that she would really love to run for president, but isn't too keen on all that policy stuff and book-learning; like most of her fans.  She clearly loves the attention and the not insignificant pocket change that her and first-dude Todd have managed to pull in since abandoning the Alaska people for a staring role in this week's TLC re-run.  However, the media has already moved on to observe the craziness of Michele Bachmann (R-MN) and almost as verbally irresponsible Gov. Rick Perry (R-TX).

So like any good huckster she now moves from state to state, trying to locally re-invent herself, while trying to boost her flailing popularity nationally.  I think she will self destruct at some point and hopefully she will take as many Republicans with her in the process.

Under blood red skies...

Photograph of  Puyehue volcano, near Osorno in southern Chile.

Courtesy of NewScientist.

Where's my Government Subsidy!

I too wish the benevolent hand of government largess would visit me.  Subsidies, bailouts, and friendly handshakes as the taxes of the minions are redirected into my coffers.

Why shouldn't I with my friendly neighborhood politician be able to run a business model solely predicated on how much I can extort out of the public?

Why care about customer relations, effective management, cost-controls, and all those petty matters, when I can have a member of the legislative branch simply re-write the laws so I don't have to pay taxes, don't have to concern myself about environmental or labor laws, and don't have to worry about those things that all those small people have to.

Banks, energy companies, utilities, telecommunications, military industrial, surveillance state, big pharma, private education, corporate agriculture,... etc, all feeding handsomely at the trough.

Open Advice to President Obama

Dear Barack,

I know you don't care what I think, with all those high-paid clowns dispensing all that brilliant strategy to you on how to piss-off those loser hippies who funded, supported, and fought for you across America in 2008, but here it is.

You're a bit like Bubba, in that despite all those flowery speeches about hope or being from a place called hope (who can get it straight anymore) you've given over the past few years, we really don't know what you believe.  I mean, the nihilists and brain-dead masses think you're a Marxist Fascist with ties to Kenyan revolutionaries.  I don't know what that means either, other than interpreting it as an odd way to just call you a nigger.  I've never really thought you were the second coming of FDR, but you were a better option than the Queen corporatist Madam Clinton.  People liked what you had to say and what you represented, but back then it mostly was about voting against eight hard and dismal years under the Bush junta.  However, you waffled and instead of steamrolling what remained of the right wing yahoo's and pushing through a progressive and liberal agenda, you coddled and capitulated to their bizarre demands.  Let's recap:

• Did exactly what Bush said he would do in ending the Iraq war; that being leaving 50K troops to babysit the Shia thugocracy in Baghdad.
• Escalated the Afghan war, which everyone has already admitted is lost.
• Caved into special interests in the health care bill, by eliminating the public option and preventing the  importation of drugs from Canada.
• Created a health care bill that would force individuals to purchase lame health care coverage and subsidise the crooked insurance companies.
• Pushed through a special debt committee, filled with right-wing ideologues and hacks demanding that Social Security be privatized under the guise of bi-partisanship.
• Bailed out your friends and big-donor buddies in the banks, but left the rest of the nation submerged with debt and ever-expanding (and now illegal) foreclosures
• Failed to prosecute any of the major players in the Bush junta for war crimes, crimes against humanity, violations of the Constitution, and numerous illegal acts and unethical behavior
• Advanced the post-911 security-surveillance state to new levels
• Advanced the military-industrial complex in the face of mounting debts and limited resources
• Let Israel make a complete mockery of you, Hillary Clinton, Joe Biden, and your entire administration relating to the Palestinian issue
• Allowed the minority blue dog Democrats to dictate the terms of major legislation, so they could retain their congressional seats (which as every poll indicates, they won't)
• Put in charge Ken Salazar as Secretary of the Interior, effectively creating what others have referred to as Bush's 3rd term with respect to governmental regulation and resource management of public assets
• Colluded with BP to lie to the public on the scope and severity of the Gulf of Mexico oil spill.

People who voted for you, in the deluded belief that government could mend it ways, are looking at a moribund economy, a Democratic Party that is incapable of defending themselves against corrupt Republican and Tea Party slander, and a crypto-fascist uprising funded by the same assholes whose jobs and balance sheets you saved from complete Armageddon.  A lot of people said early on that you were playing three-dimensional chess and were way smarter than the rest of the dolts on the Hill.  It's pretty clear that not only don't you have game, but you're really not as bright as those Harvard and Columbia degrees might imply.

So Barack, if you want to do something meaningful, do yourself a favor and grow a couple, because this nonsense you've been pedalling for the past 21-months is getting tired and no one is going to vote for you if you keep selling the same recycled shit that Bush left behind on the White House's going-out of business sale in November 2008.

Fuck-you very much.

The Lifer.

On the Irrelevence of Keynesian Economics

h/t Leftytoons

All Means to Attract and Distract...

  

As Thomas Frank said in his book What's the matter with Kansas?

These voters are far more concerned with the frustrations and indignities of everyday life than with scholarly rigor or objective material interests, they suffer from old man’s disorder, their deafness to the insincerity of their leaders is a cultural marvel, it is a place where hatred trumps bread, and I have worse to say.

Yes, we know all that, but what will Tiger Woods think!  And more importantly, since Elin was married to the world's greatest sex-freak, will she ever be satisfied with anyone else between the sheets!  Again, what do the sheeple think?

Interesting People: Joumana Haddad

The title of the Guardian newspaper's (UK) article is Joumana Haddad: 'I live in a country that hates me.'

Ms. Joumana Haddad is a citizen of Lebanon, where she is an author, poet, editor of a local newspaper, and according to the article, a subversive element.   Assailants have taunted her with the threat of having acid being thrown in her face and murder, all for publishing and openly discussing matters of sexuality.  She edits the the cultural section of a newspaper that "contains serious reportage about polygamy, virginity and forced marriage, but also erotic stories and personal testimony."  Her most recent work, a book called I Killed Scheherazade: Confessions of An Angry Arab Woman, contains in her words, a "vivid assertion of individuality, free speech, free choice and dignity against religious bigotry, prejudice and the herd instinct both within and outside the Arab world, and within and outside Islam."

The article expands on her upbringing, beliefs, and personal philosophy.  She describes the Islamists as:

"These backward-looking obscurantists" – Arab defenders of chastity – "are thieves. They are desecrators. They are murderers. And, on top of everything, they are stupid. And this is perhaps the cruelest blow."

It also describes her state of being:

She also knows, however, that she is damaged, rudderless in a profound way, and that one of the results is that she is attracted to transgression for transgression's sake. Her achievement is to tether that instinct to her cause and to enact her beliefs; her recklessness in doing so is brave and immensely admirable, but also makes one slightly worried for her. Behind the laughter and defiance lurks a sense of what her unconventional path might have cost.

Unlike the typical puffery that is found in most biographical articles, this one is introspective and multi-dimensional.  Ms. Haddad's experiences, life struggles, and philosophy provide insights into the difficulties faced in challenging established cultural norms in modern Middle East countries.

The First Ground Zero Mosque - The Original World Trade Towers!

An article in Slate illustrates the profound conceptual disconnect most people have between what the actual World Trade Towers were and its relation to Bin Laden and the 9-11 attacks.  Given the ignominious and bigoted diatribe offered by both the right and left on the subject of the Cordoba House Project in New York City near ground zero (discussed here, here, and here), this is a welcome anodyne.

The original towers were designed by Minoru Yamasaki, a Japanese American, who gained popularity with the House of Saud (The Kingdom of Saudi Arabia) in the early 1950's.  Many of his designs, including the entire World Trade Tower complex as constructed in the 1970's, used Islamic themes and architectural conceits.  The article outlines a few of these elements in the overall WTC design:

• At the base of the towers, Yamasaki used implied pointed arches—derived from the characteristically pointed arches of Islam—as a transition between the wide column spacing below and the dense structural mesh above.
• Yamasaki replicated the plan of Mecca's courtyard by creating a vast delineated square, isolated from the city's bustle by low colonnaded structures and capped by two enormous, perfectly square towers—minarets, really. Yamasaki's courtyard mimicked Mecca's assemblage of holy sites—the Qa'ba (a cube) containing the sacred stone, what some believe is the burial site of Hagar and Ishmael, and the holy spring—by including several sculptural features, including a fountain, and he anchored the composition in a radial circular pattern, similar to Mecca's.
• The dense filigree of complex geometries alludes to a higher spiritual reality in Islam, and the shimmering quality of Islamic patterning relates to the veil that wraps the Qa'ba at Mecca.

The author of the Slate article infers that the Bin Laden family's construction company were intimately associated with many of the projects that occurred in Saudi Arabia and Osama Bin Laden, himself, would have been well aware of Yamaski's utilization of Islamic themes.  She then postulates that one of the rationals, although not necessarily the primary reason, for Bin Laden to attack the WTC towers, was that the buildings represented an intermixing of the Islam, modernity, and international capitalism. 

To Bin Laden, the World Trade Center was probably not only an international landmark but also a false idol.

It should also be understood, that the attack on 9-11, contrary to the facile arguments posited by the MSM and the Bush Administration, were not merely an attack on America.  Michael Scheuer, former CIA counter-terrorism expert on Bin Laden, explained in his book Imperial Hubris: Why the West is Losing the War on Terror, that the attacks were meant to provoke the US to expand their presence in the Middle East and engage in a clash of the civilizations battle with Islam that would destabilize apostate and pro-American regimes, eventually forcing the Americans and their lackeys into permanent retreat; like that of the Soviet Union during their Afghan conflict.  Bin Laden, in 2007, stated that if people wanted to understand the conflict, that they should, "read the book of Michael Scheuer in this regard."

American Gothic

These images, by photographers of the Farm Security Administration/ Office of War Information, are some of the only color photographs taken of the effects of the Depression on America’s rural and small town populations. The photographs are the property of the Library of Congress and were included in a 2006 exhibit Bound for Glory: America in Color.

http://blogs.denverpost.com/captured/2010/07/26/captured-america-in-color-from-1939-1943/

 

 

Another Japanese First: A Comic Book Library

According to France24,

"In a move to promote serious study of Japanese manga, a university in Tokyo plans to open a library with two million comic books, animation drawings, video games and other cartoon industry artifacts. Tentatively named the Tokyo International Manga Library, it would open by early 2015 on the campus of the private Meiji University, and be available to researchers and fans from Japan and abroad."

To those of the wider public who have never read or watched Japanese animation, although your children definitely have, it is an ornate and bizarre world (somewhat like Japan culture itself) that includes a broad range of subjects: action-adventure, romance, sports and games, historical drama, comedy, science fiction and fantasy, mystery, horror, sexuality, and business and commerce, among others. Unlike the uber-geek "Comic Book-Guy," who peddles his wares to children in the television cartoon The Simpson's, the manga genre is embraced by people of all ages in Japan.

Manga itself is a hybrid art that combines historical Japanese motifs and modern Western styles of animation. These highly stylized comic-book novels and their televised adaptions, have over the decades depicted the continuous cultural development of the Japanese people and its larger society since the Second World War. The gekiga style of drawing (emotionally dark, realistic, and sometimes violent) focuses on the day-in, day-out grim realities of life, and is often drawn in a fashion that has been described as 'gritty'.

Unlike a number of Japanese re-inventions that have failed to find a foot-hold outside of Japan, Anime or Japanese Animation has produced a significant following around the world. As an example, Quentin Tarantino's Kill Bill movies were based on a 1972-3 manga released in Japan called Lady Snowblood. In North America over the past few decades, a variety of children's television programing have highlighted Anime. These westernized adaptions include shows like Sailor Moon, which has been exported to more than 23 countries, and Pokemon, which has spawned a dozen movies and a worldwide audience.

As odd as it may seem, a serious academic exploration of the cultural roots and influence of Japanese animation on modernist artwork and global pop-culture is warranted.

Arigatou gozaimasu.